There are payware plugins which allow you to change camera settings remotely and even provide live preview, but there is also a free version from Fujifilm called Fujifilm Accquire. Luckily the camera features tethering, which makes your life a lot easier. The X-Pro2 also lacks a tilt-able screen so focusing the camera and looking at the screen can be a bit tricky at higher camera positions. I plan to explain this in an upcoming post about the scanning workflow. But this also means an additional step when processing the files and a larger file size of the DNG raw file which will be produced during this additional step by Lightroom. Fortunately Adobe now offers a feature called “Enhance Detail” that reduces this problem significantly. You have to deal with worm like artifacts and unpleasant grain reproduction. The Fuji X-Trans sensor still challenges Adobe Lightroom and other raw editors when it comes to de-mosaicing the raw data. Unfortunately it also has some downsides, which I should mention here. It features a 24MP sensor that gives me enough resolution for scanning medium format film in a single shot. It’s a marvelous camera with many stunning features like the hybrid viewfinder, but this obviously is nothing for scanning film. I decided to use my good old Fuji X-Pro2 for scanning. These can be bought for a fair price at second hand camera stores and will not compromise scan quality. Depending on your personal needs for image resolutions and scan quality, I recommend a modern mirrorless camera or DSLR with at least 16MP sensor. Chances are that you already own a capable digital camera that can be used for camera scanning.
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